Interpretation of Hamlet Term Paper Example | Topics and Well Written Essays - 1750 words

Interpretation of Hamlet - Term Paper Example So, Hamlet becomes the object of counter revenge, Laertes seeking requital for the murder of his father. By the last act of the play, after his adventures at sea, Hamlet is utterly convinced of the rightness of his cause and necessity of killing Claudius, whom he describes as a cancer in society. He himself sees as a humble instrument of heaven, and to fail his duty in removing that cancer would be at the peril of his own soul. Hamlet ends in Victory and failure. The possibility that a man has been picked out to do a deed which society condemns but which a higher, divine authority sanctions is balanced against the possibility that Ghost led Hamlet into delusion and error, and bewildered him till he died. Shakespeare’s Hamlet falls in the category of revenge play. It is called so as he has to avenge the death of his father whom he believes, has been murdered. This seems to be confirmed by the ghost as well. Is the presence of Ghost a hallucination or reality, it could never be confirmed but ghost gives Hamlet a motive, motive to avenge for his father’s death. His father’s death is a shock to him, when he arrives home he finds his mother already married to Claudius, his uncle and assuming the Thorne. Everything appears fishy to Hamlet .He is unable to understand this fact how his own mother could haste into new marriage bed when his father’s funeral ground is still fresh .There is no one to tell him the truth he cannot trust anyone even his own mother. Hamlet has no other way to extract the truth but to feign madness. A theme is defined as a central idea, which a literary works convey. There are various themes that run in Hamlet. The first theme that is found in this work of Shakespeare is the Revenge. Hamlet is at the core a revenge tragedy. It is his desire for the vengeance that leads to his down fall. The revenge tragedy was first introduced in Greece and on Elizabethan revenge tragedies we find large influence of Seneca, a Roman P laywright. A revenge play revolves around the crime committed. The crime is essentially committed but the culprit is unpunished by the standard laws of justice. Now, someone needs to take this responsibility and when Ghost of the king confirms Hamlet about the unjust happening, Hamlet rouse up for vengeance. Another theme is the complexity of action. The action is present in every revenge play but in Hamlet it becomes intricate because the protagonist undergoes a series of thought before performing any action. He is affected by rational and emotional considerations. He thinks too ethically and he broods on the consequence of his action. But when he prefers to act he does it blindly and recklessly .His dilemma is to be or not to be (Act III, Scene II).It is this impasse that makes him a greatest tragic hero. The third theme that Hamlet deals with is the mystery of Death. Throughout the play Hamlet ponders on the idea of death. He thinks about death and the spiritual aftermath. He is so preoccupied with the entire idea that he starts thinking about his own death. He is frustrated of the world around him and ponders suicide but what stops him is this question-Is suicide legitimate in Christianity? He fears if he commits suicide then he would be condemned to eternal sufferings of the hell. His misery is that he is unable to reconcile with his father’s sudden death, his mother’s indifference and his uncle’s apathy. His sufferings are endless. Theme of corruption is

HISTORY ON FILM Essay Example | Topics and Well Written Essays - 1500 words

HISTORY ON FILM - Essay Example Also implied is the fact that there would be inaccuracies. The first time I viewed Amadeus, and that was eons ago, I was absolutely bedazzled, awed and completely swept off my feet by the gripping story, the cinematography, the elaborate costumes, the art direction, the makeup, the magnificent acting of the two leads F. Murray Abraham as Antonio Salieri and Tom Hulce as Wolfgang Amadeus Mozart, and of course the impeccable direction of Milos Forman. But what makes it memorable through the years is the revival of the music of one of the greatest composers the world has ever known and the restaging of his operas. Here, we are treated to a glimpse to some of Mozart’s everlasting operas e.g. The Abduction From The Seraglio, The Marriage of Figaro, Don Giovanni and The Magic Flute. This movie gives free lessons on opera and music appreciation. We have to give kudos to Milos Forman, the director and the scriptwriter, Peter Shaffer for faithfully recreating and transporting all of us viewers to 18th century Vienna and Salzburg. This was spe cifically 1769, the time that Mozart displayed to all and sundry glimpses of his immense talent before the arrogant Archbishop of Salzburg and his court to the year 1791, the year of Mozart’s demise and Salieri’s confinement in a mental institution. Both Forman and Shaffer ensured that we, viewers, become a part of the excessive bacchanalian revelries of the aristocrats and people who matter in Austria; the pompous celebration of art, music and culture; that we view the ornate, majestic edifices of the 18th century Austria ruled by the Hapsburg royalty, which at this juncture in time was governed by the highly cultured Emperor Joseph II, the son of Empress Maria Theresa and Francis I and the brother of the ill-fated Marie Antoinette of France. We have to note that this is the heyday of the renaissance and thus, there is rebirth of classical art, literature, learning and architecture in Austria. Swept out